number of natural talent. But it really’s not just the mind-boggling confidence behind the camera that makes “Boogie Nights” such an incredible bit of work, it’s also the sheer generosity that Anderson shows in the direction of even the most pathetic of his characters. See how the camera lingers on Jesse St. Vincent (the great Melora Walters) after she’s been stranded with the 1979 New Year’s Eve party, or how Anderson redeems Rollergirl (Heather Graham, in her best role) with a single push-in during the closing minutes.
Underneath the cultural kitsch of everything — the screaming teenage fans, the “king in the world” egomania, the instantly universal language of “I want you to attract me like one of your French girls” — “Titanic” is as personal and cohesive as any film a fraction of its size. That intimacy starts with Cameron’s have obsession with the Ship of Dreams (which he naturally cast to play itself in the movie that ebbs between fiction and reality with the same bittersweet confidence that it flows between past and present), and continues with every facet of the script that revitalizes its standard story of star-crossed lovers into something iconic.
Considering the myriad of podcasts that motivate us to welcome brutal murderers into our earbuds each week (And just how eager many of us are to take action), it may be hard to assume a time when serial killers were a truly taboo subject. In many ways, we have “The Silence of your Lambs” to thank for that paradigm shift. Jonathan Demme’s film did as much to humanize depraved criminals as any piece of present-day artwork, thanks in large part to your chillingly magnetic performance from Anthony Hopkins.
Don't dream it, just whether it is! This cult classic has cracked many a shell and opened many a closet door. While the legendary midnight screenings are postponed because of the pandemic, have your very own stay-at-home screening!
Produced in 1994, but taking place to the eve of Y2K, the film – set within an apocalyptic Los Angeles – is often a clear commentary about the police assault of Rodney King, and a reflection over the days when the grainy tape played over a loop for white and Black audiences alike. The friction in “Bizarre Days,” however, partly stems from Mace hoping that her white friend, Lenny, will make the right conclusion, only to view him continually fail by trying to save his troubled, white ex-girlfriend Faith (Juliette Lewis).
The result is our humble attempt at curating the best of a decade that was bursting with new ideas, fresh Power, and also many damn fine films than any leading one hundred list could hope to have.
Seen today, steeped in nostalgia with the freedoms of a pre-handover Hong Kong, “Chungking Categorical” still feels new. The film’s lasting power is especially impressive while in the face of such a fast-paced world; a world in which nothing could be more beneficial than a concrete offer from someone willing to share the same future with you — even if that offer is created on a napkin. —DE
And yet, because the number of survivors continues to dwindle as well as the Holocaust fades ever further into the rear-view (making it that much simpler for online cranks and elected officials alike to fulfill Göth’s dream of turning generations of lesbian porn Jewish history into the stuff of rumor), it's got grown less complicated to appreciate the upside of Hoberman’s prediction.
helped moved gay cinema away from being a strictly all-white affair. The British Film Institute ranked it at number 50 in its list of the best a hundred British films with the twentieth century.
a crime drama starring Al Pacino being an undercover cop hunting down a serial killer targeting gay Guys.
Using his charming curmudgeon persona in arguably the best performance of his career, Bill Murray stars because the kind of dude not one person within reason cheering for: clever aleck Television set weatherman Phil Connors, who may have never made a gig, town, or nice lady he couldn’t chop down to size. While Danny Rubin’s original script leaned more into the dark components of what happens to Phil when he alights to Punxsutawney, PA to cover its annual Groundhog Day event — for your briefest of refreshers: that he gets caught inside a time loop, seemingly doomed to only ever live this Peculiar holiday in this awkward town forever — Ramis was intent on tapping into the inherent comedy on the premise. What a good gamble.
You might love it for the whip-intelligent hd porn movies screenplay, which gained Callie Khouri an Academy Award. Or even to the chemistry between its two leads, because Susan Sarandon and Geena Davis couldn’t have been better cast as Louise, a jaded waitress and her friend Thelma, a naive housewife, whose worlds are turned upside down during a weekend girls’ trip when Louise fatally shoots a person trying to rape Thelma outside a dance hall.
With his 3rd feature, the young Tarantino proved that he doesn’t need any gimmicks to tell a killer story, turning Elmore Leonard’s “Rum Punch” into a tight thriller anchored by a career-best performance from the legendary Pam Grier. While the film never tries to hide The very fact that it owes as much to Tarantino’s love for Blaxploitation because it does to his affection for Leonard’s source novel, Grier’s nuanced performance allows her to show off a softer side that went criminally underused during her pimp-killing heyday.
David Cronenberg adapting a J.G. Ballard novel about people who get turned on by motor vehicle crashes was bound to become provocative. “Crash” transcends the label, grinning in perverse delight mainly because it sticks lovable trannie enjoys facials after anal sex its fingers into a gaping wound. Something similar happens in the hqporner backseat of allporncomic an automobile in this movie, just one during the cavalcade of perversions enacted by the film’s cast of pansexual risk-takers.